El Abrazo — The Hug

During my time in Colombia, I started designing jewelry — almost by accident. I wanted to create something for myself, something that carried a story. With access to a 3D printer, I made my first plastic prototype, just to see what would happen. But one thing led to another, and that small experiment slowly turned into a brand of its own.

I was fascinated by pre-Colombian art — by its simplicity, its bold symmetry, and its imperfect beauty. The expressive figures I saw at the Gold Museum in Bogotá stayed with me. There was something timeless about them — a quiet confidence in how form and meaning blended together.

Working digitally, I began to reinterpret those shapes — multiplying, rotating, stretching, and distorting them. I liked the idea of combining something ancient with something new: the heritage of handcraft with the precision of code. It was my way of connecting eras — honoring the past while exploring the digital future.

From this process came El Abrazo, The Hug — a ring formed by two mirrored figures reaching toward one another. It became the centerpiece of my first small collection and a symbol of the balance I try to find in all my work: between logic and emotion, past and future, idea and form.

Designing the pieces, printing prototypes, organizing photo shoots — it all felt like play, and yet it was deeply meaningful. Looking back, it reminds me why I love design in the first place: because it's about curiosity, creation, and connection.